Neither
heat, humidity, nor a sudden thunderstorm prevented the Cleveland Orchestra
with guest pianist Jean-Yves Thibaudet from dazzling at Blossom Music Center
last night.
The skies
darkened just as Franz Welser-Möst strode onstage to begin Beethoven’s Grand Fugue. Originally written as the final
movement the Op. 130 string quartet, Beethoven eventually replaced it with a
more conventional ending and published the piece separately as Op. 133. The piece is often performed in an
arrangement for string orchestra, with the cello part supplemented by the
double bass. As with many of Beethoven’s
later works, such as the Op. 111 piano sonata, and the last few string
quartets, the Grand Fugue connects with something beyond the corporeal. That
feeling was enhanced when the skies opened up a few minutes into the
piece. With the accompanying rain and thunder,
I was reminded of the story of Beethoven on his deathbed, raising his fist at a
flash of lightning.
There was
a delay starting the second work, Liszt’s Dance of the Dead – first as the
stagehands moved the piano to the center stage and arranged the orchestra
seats, then as the first violinists took refuge from a sudden mist that invaded
the pavilion. Soon enough, the orchestra
returned to the stage, joined by the pianist and conductor. Thibaudet, dressed in a tastefully dazzling
outfit, was a picture of fierce concentration at the keyboard. There are not many pianists who can make this
piece both exciting pianistically, but convincing musically. But Thibaudet is one such artist. The thunder was an appropriate accompaniment
to the storms Thibaudet created at the piano.
He was greeted with a well-deserved standing ovation.
During
the intermission, the weather calmed and skies cleared.
Following
the intermission, Welser-Möst led the orchestra in a headlong performance of
Beethoven’s Eroica Symphony. Eschewing
the first movement repeat, Welser-Möst’s tempos were swift, rhythms taut, with
stark dynamic contrasts.
The
finale was received with an enthusiastic response from the audience, some on
the lawn still wet from the rainstorm.
It takes more than a storm to come between Cleveland’s audience and
their music.
No comments:
Post a Comment